More Repair On My Quilt

I hope I'm not confusing anyone, working on 2 antique Crazy Quilts at the same time. From now on, I'll refer to these as either "My Quilt" or "Maxine's Quilt".

This one is my quilt:



Here you can see the damaged area that I worked on yesterday. I only replaced one fabric patch and then focused on replacing some of the damaged stitching in the area around it. In the case of this patch, I wasn't really sure what stitch was used directly on this patch. I think it was the Feather Stitch so that's what I did.

Here is a photo of the repaired area:



I do hope you all find this interesting and not boring. I plan to take a break from these projects here and there to do some of my insane, extremely embellished things. I'm not sure why I feel so compelled to repair this quilt. I'm assuming it's due to my appreciation of handmade things as well as my love of historical textiles. Because this is dated 1888, has the stitchers name on it as well as references to the location in which "I think" it was made, it called to me when I saw it at the flea market and it's almost as if I have to do this. It's kind of a strange feeling but there's something so wonderful about having the ability to save this quilt.

It's not my intention though, to replace every teeny tiny bit of damage. I want to keep the integrity and aged look of this quilt. I only want to replace what absolutely needs to be replaced to keep it from further deterioration.

I promised to share some historical facts with you in relationship to this quilt. My friends Susan and Bennie shared this information with me. The following is quote from Bennie's email to me:

"Seems like the souvenir ribbon was from the presidential campaign of Grover Cleveland & his running mate Allen Thurman. Actually, they lost the election that year, so maybe that makes your quilt more valuable? I'm not sure what the auxiliary stock exchange referred to - the stock market wasn't established until 1892. Maybe it was just a group of men who invested in stocks. I'm sure you are right that the quilt was made in NY - since Grover Cleveland was raised in upstate NY."

Very interesting, huh? Here's a photo of one of the 4 souvenir ribbons dated 1888:



Well, that's it for today. I want to work on this one some more later and I want to work on Maxine's quilt as well. I think you'll find that one very interesting as Maxine wants me to not only repair it, but further embellish it. And not in the traditional antique style but in my "insane Pam Kellogg" style. This will be a challenge as my heart & mind are resisting. Scott told me that I can't look at it as "defacing" it but instead, I have to look at it as "making it better". I already have a couple of cool ideas but first I have to replace the damaged fabrics.

Repairing The Damage

I must say, this is certainly an interesting process! I sat on my sofa yesterday, staring at my antique crazy quilt, trying to muster up the courage to just throw myself into it and get it repaired. Eventually, that's exactly what I had to do.

I spoke with my mother yesterday and she reminded me that many of the old fabrics had acid in the dye. My original intention was to simply work over what is already there but due to my mom's reminder, I decided to remove the deteriorated fabrics and start from scratch. This also meant, in some cases, removing perfectly good stitching. Thank goodness for digi camera's! Thinking about it now, despite wanting to remove any chance of further damage, it's probably the easiest and most efficient way of doing this.

Here are the patches that I replaced yesterday:







And here it is again with my repairs:



Before I removed the damaged fabrics, I took some tracing paper, laid it over the quilt and traced the patch to be replaced. I then took a photo of it with my camera so I could replace the stitches.

Then, working with my embroidery scissors, a tweezer and a hatpin, I removed the stitches, cut away the bad fabric and pulled as much of the remainder of the fabric out of the seam as I could.

The next thing I did was to chose a new fabric. Remember, I'm looking to replace fabrics based on color rather than fabric type although when I can replace it with the same type I will. The black fabric that I removed was black taffeta. Now, I have taffeta in every color of the rainbow but for some unknown reason, I do not have black!

I then decided that I would use real black velvet but that didn't look right. It was too black. Thankfully, I keep several yards of black velveteen in my stash at all times. The velveteen has a slight gray reflection in the light so I went with that instead and it blends in nicely.

Ok, so basically what I'm doing is Needle-turn Appliqué. I cut out my template from the tracing paper pinned it to the new fabric, cut that out adding a 1/4 inch seam allowance, removed the pins, laid it on the quilt and hand appliquéd it in place, turning the seam allowance under with my needle and blind stitched it down.

Once I had it stitched down, I replaced the stitching with threads that match as closely as possible. I must tell you, I'm really bad with free-handing the double herringbone stitch! And there's a ton of it on this quilt! But, by the 3rd patch, I did get better at it.

Ok, so that's where I'm at on here so far. I promised you some history that my friends Susan and Bennie shared with me but I have to dash out the door at the moment to meet with Maxine, the owner of my commission CQ project. I should be able to share that with you tomorrow.

Antique Quilt Repair

I started the repair work on both antique crazy quilts yesterday. The first thing I wanted to do with my commission piece was to repair the beaded area and to re-anchor the beads:



This one patch took me 5 hours to repair. The beading was worked on a net lace and then attached to the quilt. The edge of the lace had deteriorated along the seam so the first thing I did was to sew the lace onto the quilt along that edge. The edge was quite shredded so once I had it secure on the quilt, I went back over the thin area with long straight stitches (black sewing thread) and then I couched those down.

My next task was to re-anchor all the beads. Oooh, that was tedious! I used the tiniest, thinnest beading needle that DMC makes and for many of the beads, I couldn't get the needle to go through. When that was the case, I took a tiny stitch over the thread that ran through the bead. One stitch on each side.

The beads were originally sewn on with the finest silk thread I've ever seen! It's no wonder so many of the beads were loose!

So now I'm ready to replace the deteriorated patches of fabric. I will be starting on that over the weekend.

Once I had the beaded area repaired on that quilt, I moved on to my quilt. I decided to start with this beautiful little velvet star:



The poor little thing was hanging on only by the orange threads in the middle. I appliquéd this piece back onto the quilt and then reinforced the seams of the star onto the quilt. I then removed the orange perle cotton in the middle and replaced those stitches with new perle cotton.

So those are my accompliments for yesterday. After a few chores that I still have to do for today, I will be pulling out my boxes of fancy fabrics and the new things that my mom picked up for me and I will start the process of replacing the damaged fabrics on my quilt. I will take before and after photos for you.

My plan is to try to replace pieces with a similar color and not necessarily the same type of fabric. It's the color that I want to try to keep and that all depends on what I have on hand here to work with.

Stay tuned. This should be interesting! I'll have that history info on my quilt for you tomorrow.

A Treat For You Today!

So many of you have told me that it's nice to see the face behind the blog. The photos of me in Galena are a bit far away so I thought I'd share a couple of close-ups with you today.

These were taken back in March on my mom's birthday.



This is me with my fat little Simba. He's very shy and quiet and doesn't care too much for being photographed. He's very gentle and sweet, and because he's fat, he's very mushy!



And here I am with Nightmare. This little one is my baby. He's been with me since he was 3 weeks old and I truly believe that he thinks I'm his real mother. He has separation anxiety whenever I go outside or leave the house. He sits by the door or the window and paws at it until I come back.

Antique Crazy Quilt Repair Begins

First, I'd like to say thank you to everyone who left me comments regarding my Galena and Field Of Dreams photos. I'm so happy to know that you enjoyed seeing them. Thank you everyone! I love having comments to read even though I don't always reply to them. It's not that I don't want to, it's a matter of time. You know me, I'm always into a lot of different things!

Today, I'm back in the real world and ready to start the repair on my 2 antique crazy quilt projects. I cleaned them both yesterday. What a tedious project that was!

To clean them, I put several layers of cheesecloth over the hose of my vacumm cleaner and worked over the quilts doing a "set & lift" motion. After several hours and quite a bit of cheesecloth (yes, you wouldn't believe how dirty they were), I'm happy to say that they are clean. Or, at least as clean as I can get them.

The first repair that I will make is on my commission piece:



I'm going to start by repairing the beaded area. The beading was worked on netted lace and then sewn into the quilt. I have some beads that are a close match to the antique ones on this quilt so I think I'll be able to replace the missing ones. My plan is to anchor all of the beads to the quilt. Remember, when I complete this, I'll be adding a new back and binding to it so I'll be working through everything that's all ready here.

I plan to meet with the quilts owner on Friday to discuss my ideas with her regarding more embellishing and embroidery. Basically, I want to share my ideas with her first before I go any further on it. So once I have the beading repaired, I'll put this one to the side and figure out what to do with mine.

To be honest, mine feels extremely overwhelming. There's just so much to repair on it. I honestly don't even know where to start. Scott reminded me last night that I don't have to look at the entire "staircase". I just need to take one step at a time. I'll just have to pick a place to start and work from there.

Tomorrow, I will have some interesting information for you on my quilt. My friends Susan and Bennie shared some history with me that you might find interesting!